CCCP used punk music to create an ironic play on the two fundamental sources of meaning for Italian politics and civil culture in the early 1980s, i.e. The former are more descriptive and poetic, while the second are more appropriate in narrative and prosaic texts. Nehring, Neil (1993), Flowers in the Dustbin: Culture, Anarchy and Postwar England. CCCP Fedeli alla linea o simplement CCCP; va ser un grup de punk rock italià originari de Reggio de l'Emília, va ser molt influent a Itàlia a la dècada de 1980. 53 priča o ovome.Prima fanpage dei CCCP Fedeli alla linea su Facebook Porto: Faculdade de Letras da Universidade do Porto. 2This artistic and cultural rebellion emerged in very different forms, and in different temporal and geographical contexts (Dunn, 2008). The second contains a parody of Soviet manifestos and an accusa. As different scholars have suggested (see Guerra and Moreira, 2015 and Lewin and Williams, 2009), the search for authenticity, together with cultural hybridisation, were stimulating factors that favoured the development, global diffusion and longevity of punk. 3As Georg Simmel has pointed out (2004: 155ff. 46The CCCP songs address themes such as standardization, desubjectification, loss of creativity and false consciousness and call for creative revolt as the shared output of the different expressions of M77. This ‘escape’ corresponds to a phenomenon which was common in Italy after the end of the period of terrorism in the 1970s, labelled by the Italian press as riflusso (resignation). Dunn, Kevin C. (2008), “Never Mind the Bollocks: The Punk Rock Politics of Global Communication”, Review of International Studies, 34(S1), 193-210. The song Live in Punkow presents a semantic opposition between the two sides of the Iron Curtain: instability and loneliness on the Western side, and stability and socialism in the East. One example of this can be found in a couple of lines from the song Manifesto: “The Soviets plus electricity\ do not make communism”, an ironic inversion of Lenin’s famous slogan “Communism is the Soviet power, plus the electrification of the whole country” (1920). 58K likes. Declaração de ética e boas práticas na publicação, Normas para apresentação e publicação de artigos, Prémio 40 Anos da Revista Crítica de Ciências Sociais, Portal de recursos eletronicos em ciencias sociais e humanas, 5.4. Os resultados mostram que a produção artística do grupo CCCP pode ser interpretada como uma paródia subversiva e irónica das tradições coletivistas dominantes na política e cultura italianas da época (comunismo e catolicismo) e como uma reação criativa crítica ao neoliberalismo. 17CCCP Fedeli alla linea was founded in this cultural background and their artistic production contains elements of subversive communication, situationism and avant‑gardism. 3 Art schools played an important role in the development of subcultures (See Frith and Horne, 1987). The success of CCCP can only be understood from the perspective of inauthentic authenticity (Grossberg, 1992), in terms of contradiction and irony. 6Between the 1970s and 1980s, Italy was undergoing a period of economic development and political transformation. The most common subcode is a reference to a permanent state of agitation and despair that can be found in at least six songs. Prima fanpage dei CCCP Fedeli alla linea su Facebook the erudite inversion, transformation or confusion of the original meaning of a citation. Love replaces medicine and psychologists: “I am lost and confused\ Hold me in your arms\ hold me tight\ Give me your days\ Your nights\ Today, tomorrow, again” (Svegliami: perizia psichiatrica nazionalpopolare). Altroché nuovo nuovo Sensazionale afferrare l'occasione propizia Indicare con una crocetta La qualità, la quantità desiderata La qualità, la quantità desiderata Fedeli alla linea Fedeli alla linea Fedeli alla linea CCCP! CCCP Fedeli alla Linea were an Italian band formed in 1982 in Berlin by vocalist Giovanni Lindo Ferretti and guitarist Massimo Zamboni. The invitation to self­‑destruct and commit suicide, typical of classic punk, coexists contradictorily with the incitement to live a full, rich and free life, which is, in fact, closer to M77’s manifesto: “Oddly enough, there is only one life” (, ); “Death is unbearable for those who cannot live” (, During the second half of the 1970s different Western countries encountered a similar cultural and economic crisis and punk was one of the most successful artistic reactions to this situation. 24CCCP was formed in 1981‑82 following an encounter between Matteo Zamboni (guitarist) and Giovanni Lindo Ferretti (lead singer and lyricist). Sign in. This celebration of psalmody is also associated with Islam: “Don’t think, just repeat your psalms\ Islam punk, Islam punk, Islam punk und punk Islam” (Punk Islam). 74In the case of Italy, punk emerged almost simultaneously with the United Kingdom, United States and other southern European countries, such as Portugal. Love replaces medicine and psychologists: “I am lost and confused\ Hold me in your arms\ hold me tight\ Give me your days\ Your nights\ Today, tomorrow, again” (, Svegliami: perizia psichiatrica nazionalpopolare. Their search for authenticity involved adopting a fluid political and aesthetic stance in which ‘conviction’ was valued in and for itself, regardless. : 1818]. 44This isotopy includes different subcodes: a discourse on the ‘moral awakening’ from false consciousness; a nostalgic search for the Original Land; a series of hetero-definitions of the self, expressed through the language of advertisements, common sense, politics and science; a sociological discourse on the effects of socio-economic development; ironic\critical use of the language of bureaucracy and marketing; a look back to Sovietism and Catholicism as sources of meaning; 45The synthesis of these subcodes leads to one main distinction: desubjectification vs. grand narratives (Sovietism, Catholicism, peace) that can be interpreted as a typical feature of postmodernism (Lyotard, 1979). Sovietism (14) and religion (23) as alternative sources of meaning, in opposition to the dystopian vision of present capitalism; the philosophy of history and politics (35); For reasons of space, I will only consider the most important examples, in any given isotopy, synthesising the different forms of enunciation and, In the CCCP lyrics the metadiscourse on punk enables them to differentiate themselves from what they consider to be spurious, insincere or outdated punk icons (e.g. It is presented through the following forms of enunciation: lack of awareness of personal purpose, personal emotions, and the individual and collective meaning of life (5); the rejection of mainstream ideologies, values, political forms of participation and history (3); loss\confusion (3); impotence (2); voluntary isolation from social obligations and the labour market; media misinformation and an excess of available options (1). Thank you for helping build the largest language community on the internet. Again, it is presented through various forms of enunciation and narrative registers: liturgical, evocative, mythological, ascetic, emancipatory (religion as a force for change), conflicting, and ironic-surrealist. Narrative semiotics is a textual approach that enables the implicit structures of meaning in large and fragmented corpora such as punk songs to be analysed. 42In short, they made it clear that it was possible to be authentic despite commercial involvement in the music industry (Hebdige, 1979). 185 talking about this. This contradiction has emerged many times, from the 1980s to the present, whenever Ferretti has openly rejected his original leftist beliefs and embraced a traditional, righteous and conservative ideology. In a metadiscursive sense, CCCP’s search for punk authenticity is driven by the need to construct a cultural autonomy for Italian punk, in contrast to the commercialisation of, The most relevant example of this metadiscourse can be found in the song, ), which is a direct attack on the iconic Sex Pistols through an imagined conversation between the author and Johnny Rotten (who is not actually named in the song, but is nonetheless clearly identifiable). 13In the same period, the newly opened Faculty of Performance Studies (DAMS) at the University of Bologna played a growing role in the formation of the punk scene;3 in fact, a number of DAMS students went on to form punk bands, such as Skiantos, CCCP, and Gaznevada. CCCP Fedeli alla linea. the Sex Pistols) and to propose a proper, authentic form of punk. The aim of its cultural collective was to produce subversive communication with innovative language and forms of interaction, and the regular transmission of Italian punk songs contributed to the diffusion of a deterritorialised, translocal punk subculture in Italy.4, 15Another important contribution to the establishment of punk in Italy were the two squats, Traumfabrik in Bologna and Virus in Milan. : 1966]. Did you install a browser extension (such as Realplayer/Realdownloader) that helps you download YouTube videos or other content? 50The song Sono come tu mi vuoi,13 which includes a series of slogans in the language of advertising, politics and common sense, is a perfect example of this is: “I’m not a throw-away bottle\ Nor an impossible stain\ Nor a registered trademark\ Nor a product on the market\ I’m not a point of reference \ Nor a basic reality\ Nor a fact\ Nor a concluded dispute\ Nor a completed file”. 29In addition to their ideology, even their sound and style of performance were completely new for the Italian music scene, and they were an immediate success. [Comrades, citizens, brothers, partisans] – a title inspired by the first verse of the song Per i morti di Reggio Emilia by Fausto Amodei, dedicated to five workers killed by the Italian police during a rally in July 1960. The isotopies were constructed by looking at the different discursive levels of dialectic differentiation. An Approach to Underground Music Scenes (vol. Treccani (2015), Enciclopedia della lingua italiana. Meaning of cccp fedeli alla linea. We are not pure. The mix of disruption and the search for authenticity places CCCP in the aesthetic transition from classic punk (1974 to 1978) to postmodern punk (1980 to the present). 67Concerning the issue of objectification, CCCP affirms a form of resistance to anomie, flaunting an attitude of voluntary non-participation that today would be defined as NEET (not in education, employment or training) or hikkikomori, as exemplified in the following verse: “I do not study\ do not work\ do not watch TV\ do not go to the cinema\ do not play any sport” (Io sto bene). One example is the song, : “Leave me here, leave me now, leave me this way\ Don’t say a word except words of love”. Prima fanpage dei CCCP Fedeli alla linea su Facebook Seven songs are devoted to the topic of love and sexuality. Thirdly, their lengthy music experience places them in the transitional phase between classic punk and the postmodern search for authenticity that characterised punk in the 80s. They celebrate the USSR’s military, institutional, national and social aesthetics, but at the same time criticize the censorship, social control, political weakness and cognitive rigidity of the Soviet empire. Dodaj do koszyka Dodaj do przechowania. Radio Alice was an independent radio station where many intellectuals, such as the semiologist Franco Berardi, created innovative forms of semiotic revolution. Fedeli alla linea. Again, this can be read as a sign of objectification in Simmelian terms: the individual loses the, to define himself and experience the tension between the personal and social expression of emotions in a world of, (Hochshild, 1983). All these conflicts were caused by the same search for an authentic version and an authentic memory of CCCP. The former had played a significant role in the development of the Italian music industry since the 1950s, having been heavily promoted by the major record labels (RCA and Ricordi), national television (Rai), and famous national festivals (Festival di Sanremo, Canzonissima). Your computer may be infected with malware or spyware that is making automated requests to our server and causing problems. Week-by-week music charts, peak chart positions and airplay stats. Sloterdijk, Peter (2013), You Must Change Your Life. The following section explains how the cultural movement which began in 1977 played a crucial role in this transition. (2015), Keep it Simple, Make it Fast! In 1991 the band renamed itself C.S.I. Read reviews from world’s largest community for readers. Paris: Minuit. CCCP Fedeli alla Linea discography and songs: Music profile for CCCP Fedeli alla Linea, formed 1981. evocative, mythological, ascetic, emancipatory (religion as a force for change), conflicting, and ironic-surrealist. Ortodossia II/Compagni, Cittadini, Fratelli, Partigiani - CCCP – Fedeli Alla Linea , tylko w empik.com: 25,49 zł . This success led to them signing with Virgin Music in 1985 to release their next three studio albums: Socialismo e Barbarie (1987), Canzoni preghiere danze del II millennio ‑ Sezione Europa (1989) and Epica Etica Etnica Pathos (1990).7, 30Although their first album was purely punk, the Virgin albums mix punk sounds with industrial hardcore, Italian folk music, world music, chamber music, and disco, producing a kind of Zappa‑esque mix of genres and poetry. Punk in Italy has largely been overlooked as a research topic in the past, focussing instead on the scene in other nations. 37In the CCCP lyrics the metadiscourse on punk enables them to differentiate themselves from what they consider to be spurious, insincere or outdated punk icons (e.g. Henry, Tricia (1984), “Punk and Avant Garde”, Journal of Popular Culture, 17(4), 30-36. It deeply influenced the topics and poetry of CCCP lyrics. One example of this can be found in a couple of lines from the song, : “The Soviets plus electricity\ do not make communism”, an ironic inversion of Lenin’s famous slogan “Communism is the Soviet power, plus the electrification of the whole country” (1920). 6 The label was created during the 1977 movement by Helena Velena, the transgender singer of a famous Italian anarcho‑punk band called RAF (Rebel Anarchist Fraction). 56Religion is not always criticised, as in classic post-Crass punk, but is often celebrated, like Sovietism, as a grand narrative (Lyotard, 1979) that saves ‘lost souls’ from neoliberalism. Greimas, Algirdas J. : Socialism and Barbarity (1987); Songs, prayers and dance of the II millennium – Section Europe (1989); Epic Ethic Ethnic Pathos (1990). The founding members (Ferretti, Zamboni and Negri) came from Reggio Emilia, a medium‑sized city near Bologna, but first met in Berlin where they were influenced by industrial rock, punk and new wave. Listen to music from CCCP – Fedeli Alla Linea like Io Sto Bene, Annarella & more. […] State interventions in markets (once created) must be kept to a bare minimum” (Harvey, 2005: 2). their artistic production contains elements of subversive communication. Unlike the preceding sociopolitical discourse, it entails a narrower view of subjectivity and the author’s experience, and is expressed linguistically in an informal style. Rated #90 in the best albums of 1990, and #5145 of all-time album.. This study involved a socio-semiotic textual analysis of CCCP lyrics, using Algirdas Greimas’ methodology of narrative semiotics (1983). ), art provides individuals with a framework for representing every element of their lives, trans‑ forming and revolutionising their reality through stylization. : 1900]. 1,418 views, added to favorites 5 times. You might be using a VPN. The Uses of Literacy. Its moral, subcultural and existential flexibility opened up an almost infinite process of differentiation\identification (Simmel, 1905), i.e. All these conflicts were caused by the same search for an authentic version and an authentic memory of CCCP. Merton, Robert K. (1938), “Social Structure and Anomie”, American Sociological Review, 3(5), 672-682. For reasons of space, the main focus is on the first two. discipline, repetition and conviction: “Do not fear the terror of night\ You can ascend through a force that is descending” (Tien An Men). London: Ashgate, 65-83. They often presented their performances and songs as psychotherapy sessions for mentally disturbed audiences, both in an individual and in a collective sense, and one of their songs is, in fact, entitled Svegliami (perizia psichiatrica nazionalpopolare) [Wake me up (national-popular psychiatric report)]. Guerra, Paula; Moreira, Tânia (eds.) Frith, Simon; Horne, Howard (1987), Art into Pop. Again, CCCP’s artistic production is a search for a new humanism, through which human potential can be realised (Marx, 1972 [1818]), in contrast to the alienation and objectification of social life. 18This is the first reason for focussing on their punk production. Cccp-Fedeli Alla Linea - Epica Etica Etnica Pathos; Powrót. ). urban individual (Simmel, 1972) who reacts with detachment to an overload of stimuli. Download Pdf #-----PLEASE NOTE-----# #This file is the author's own work and represents their interpretation of the# #song. as enunciates which define a state or a property (for example, One interesting form of linguistic revolt against desubjectivisation is the frequent use of. Yet CCCP even dared to ridicule the sacred status of the partisan in an ironic song (Battagliero). In. CCCP Fedeli alla linea - CCCP - tekst piosenki, tłumaczenie piosenki i teledysk. Albums. 58K likes. The names of drugs are often mentioned in their lyrics, as a symbol of the commercialisation of psychotherapy. Berkeley: California UP. Scopri i testi, gli aggiornamenti e gli approfondimenti sui tuoi artisti preferiti. Rotten is described as an empty icon; he does not represent sincere or authentic punk but instead is represented as a stereotypical member of a boy band acting out a persona in a show, without any ideological involvement: “They always say stuff like: \I am the Anarchy\Here’s another Anti-Christ\ But you were just pretty\ Oh so pretty\ Lazy and well-dressed\ Without blue jeans’ (Tu menti)”. Structural Semantics: An Attempt at a Method. Other textual examples can be found in their nihilist indifference to self-attribution – “I may be a happy fool\ A pre-political man, or a drug addict” (, ) – or the use of geological metaphors, associating the flatlands of the Pianura Padana (the Po Valley) with the moral flatness of the present: “sated and desperate land\ with or without TV\ flat and monotonous\ modern and well-equipped” (, CCCP use different forms of enunciation to refer to Sovietism: autobiographical, Dadaist\surrealist, epic, sarcastic, emancipatory, and nostalgic. Wars have psychological effects on the individual, and the condition of individuals is metaphorically related to foreign affairs: “Europe has become lost in a trance, recently\ My friends too, my friends too” (. Information and translations of cccp fedeli alla linea in the most comprehensive dictionary definitions resource on the web. Price New from Used from Audio CD "Please retry" $494.78 . which includes a series of slogans in the language of advertising, politics and common sense, is a perfect example of this is: “I’m not a throw-away bottle\ Nor an impossible stain\ Nor a registered trademark\ Nor a product on the market\ I’m not a point of reference \ Nor a basic reality\ Nor a fact\ Nor a concluded dispute\ Nor a completed file”. On a metadiscursive level, verses which had been originally composed by the Sex Pistols, such as those, the New York Dolls, became a means of deriding them in turn. It represented a disruptive form of disalienation, as well as a source of self-valorisation for a growing, community of people in different countries who situated themselves outside, In the case of Italy, punk emerged almost simultaneously with the United Kingdom, United States and other southern European countries, such as. Fedeli Alla Linea tab by CCCP. In short, they made it clear that it was possible to be authentic despite commercial involvement in the music industry (Hebdige, 1979). Czas dostawy 30 - 55 dni. Between the 1970s and 1980s, Italy was undergoing a period of eco, nomic development and political transformation. It is also used as a trope for developing a more general philosophy of history. Worley, Matthew (2012), “Shot by Both Sides: Punk, Politics and the End of ‘Consensus’”, Contemporary British History, 26(3), 333-354. Genres: Post-Punk, Art Punk, Punk Rock. CCCP’s discourse is consistent with Merton’s theory of anomie (1938) and Simmel’s theory of the condition of the. The final existential component is fatalism, i.e. The name stems from the Cyrillic script for SSSR, Russian acronym for the Union of Soviet Socialist Republics, although pronounced following the Italian phonetics. For reasons of space, they will often be referred to in this article as CCCP. ), Authenticity in Self, Culture and Society, La condition postmoderne: rapport sur le savoir. Radio Alice (Berardi, 1997), one of the richest expressions of the, a deterritorialised, translocal punk subculture in, Another important contribution to the establishment of punk in, Punk subculture in Bologna emerged at the crossroads with the M77 subculture, CCCP Fedeli alla linea was founded in this cultural background and. You might have the Hola VPN extension installed. On the contrary, utterances of doing include the transformation of objects and subjects (for example ‘I gave you a blue pen’). As with classic punk, CCCP’s concerts were situationist performances designed to create confusion (Henry, 1984), disruption and audience denial. With regard to boredom, for instance, punk is seen as an alternative to the boredom of modern living: “Is it better being inert\ or having green hair?” (, ). [Faithful to the Lira? 40The last part of the lyrics is also a parodic citation of the Sex Pistols’ song Pretty Vacant (“We’re so pretty, oh so pretty”). Enjoy CCCP is a compilation album by the Italian punk rock band CCCP Fedeli alla linea released by Virgin Records on 1994. Aspects of Working Class Life. The band exploited Soviet imagery and symbols, the complex and visionary lyrics attacked Western society and its myths, provocatively countering them with Soviet Union, Socialism and even the Muslim world. Find album reviews, stream songs, credits and award information for Enjoy CCCP - CCCP - Fedeli Alla Linea on AllMusic - 2008 The conclusion briefly discusses certain theoretical issues such as the relationship between punk and authenticity, and compares Italian punk with british and Portuguese punk. 49In particular, they use hetero-attribution as the semantic anchorage for cultural objectification: the use of ‘I am so’ and ‘I am not so’ assertions aim to express the ambivalence between hetero-definitions of individual identity and the auto-determination of the self-valorised subject, reaching towards a postmodern interpretation of punk as the expression of an authentic inauthenticity (Grossberg, 1992). Hochshild, Arlie R. (1983), The Managed Heart: The Commercialization of Human Feeling. Hebdige, Dick (1979), Subculture: The Meaning of Style. Understanding Independent Music Scene. CCCP — Fedeli Alla Linea coined the term “Produce Consume Die” back in 1986, yet today this phrase still stands as strong as it did then. The earlier ones are consistent with the celebration of raw sexuality found in classic punk, while the later songs are more consistent with the humanistic philosophy that characterises CCCP’s punk. lyrics devoted to the meaning of life or death. Although CCCP fans saw Ferretti’s religious conversion as a betrayal of the original philo-sovietic philosophy, in the elements considered here both symbolic universes have the same semantic function: they represent aesthetic repertoires, as well as frameworks for the re-signification of life and, once again, are a means of subjective authenticity. Essays on the Situation of Mental Patients and Other Inmates. Storia di Giovanni Lindo Ferretti e Massimo Zamboni. This was followed by a search for textual isotopies (semantic units), i.e., in Greimasian terms, recurrences of semantic categories in the text. Lead singer Giovanni Lindo Ferretti was, in his youth, a member of Lotta Continua, one of the most important extra- Nevertheless, punk cannot be authentic in any essentialist sense. Berardi, Franco (1997), Dell’innocenza. Psychiatric medication is seen as a commercial means of normalization (Goffman, 1961), while human care is seen as the authentic cure for modernity. The Italian Communist Party, with its leftist associations, partisans, trade unions, and all the other sociopolitical subjects associated with the left had a very orthodox view of political songs, which were performed at parties, festivals and conventions. Simmel, George (1905), Philosophie der Mode. The corpus was composed of 52 song lyrics – CCCP’s entire studio output. One key point in understanding CCCP’s punk is as a Freudian account of modernity as a relational void that can only be filled through motherhood, discipline and repetition. The leader of the Sex Pistols is described as a liar who is being used by the music industry for commercial purposes: “You lie, lie, lie, lie\ I know who you know\ I know where you go\ They’ve taken the piss out of you\ You’ve destroyed yourself\ You’ve been fucking cheated”, In this song, as in many others, CCCP use a particular figure of speech: the parodic citation, i.e. A hotel in Rome which hosted important political meetings. Milano: Agenzia X. Reddington, Helen (2007), The Lost Women of Rock Music. One episode in particular reveals their problematic relationship with “anti-commercial authenticity”: in 1985, on signing with Virgin Records, the band was strongly criticised by their fans, who saw this as a betrayal of their authentic anti-capitalistic and punk stance. CCCP – Fedeli Alla Linea. London: Meuthen. Goffman, Erving (1961), Asylums. This authentic inauthenticity (Grossberg, 1992) led CCCP to use irony in citing and reframing communist symbols. CCCP’s criticism of the objectification of society and culture was strongly influenced by the sociopolitical situation in Emilia Romagna during the transition from the period of terrorism in the 70s to the consumerism of the 80s, and also by the 1977 social movement, with its emphasis on the rejection of compulsory labour. 51Other textual examples can be found in their nihilist indifference to self-attribution – “I may be a happy fool\ A pre-political man, or a drug addict” (Emilia Paranoica) – or the use of geological metaphors, associating the flatlands of the Pianura Padana (the Po Valley) with the moral flatness of the present: “sated and desperate land\ with or without TV\ flat and monotonous\ modern and well-equipped” (Rozzemilia). Get CCCP Fedeli alla linea setlists - view them, share them, discuss them with other CCCP Fedeli alla linea fans for free on setlist.fm! This difference can be explained by the different political situations in the two countries. CCCP’s punk as a religious chant uses recursive forms of poetry to induce a trance, a form of emotional and spiritual transport. Marx, Karl (1972), “The German Ideology”. 11M77 came about in Italy as a product of the dissolution of certain left‑wing extra‑parliamentary groups, who formed a new political subject called Autonomia. The band responded by writing a song ironically entitled Fedeli alla lira? They played at festivals and their performances received some coverage on national television. 3549 räägivad sellest.

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